BudgetEarphonesReview

TINHIFI C3 Review (2) – Tastefully Overdone

The $49 TINHIFI C3 is yet another TINHIFI Harman-tuned single DD iem with agreeable mainstream sound, good for universal use.

PROS

  • Non-offensive sound with good technicalities
  • Good build and cable

CONS

  • Not as smooth and cohesive as (the more expensive) T4 Plus
  • Generic design

The TINHIFI C3 Plus was provided unsolicited by the manufacturer – and I thank them for that. You can get it from TINHIFI.com.

Introduction

TINHIFI tried to avoid their sonic sins of the past and recently launched a series of Harman tuned iems coverin- the complete budget spectrum: the $39 C2, the $49 T2 TLC, and the $119 T4 Plus. As we know, the company became famous back in 2018 with their (in)famous T2, which you still get on drop.com.

Strangely enough, all the above mentioned models produce almost identical frequency responses – and the $49 C3 joins in with them. But they sport different drivers and cavities in their shells, which does not make them sound exactly identical. Durwood already took a stab at the C3, which you can find here.

All our TINHIFI reviews so far:
Tinaudio T1 (Jürgen Kraus)
Tinaudio T2 (Jürgen Kraus)
TINHIFI C2 (Jürgen Kraus)
TINHIFI C3 (1) (Durwood)
TINHIFI P1 Max (Jürgen Kraus)
TINHIFI T2 DLC (Jürgen Kraus)
TINHIFI T2 EVO (Jürgen Kraus)
TINHIFI T2 Plus (1) Jürgen Kraus
TINHIFI T2 Plus (2) (Loomis Johnson)
TINHIFI T4 (1) (Durwood)
TINHIFI T4 (2) (Loomis Johnson)
TINHIFI T4 (3) (Jürgen Kraus)
TINHIFI T4 Plus (Jürgen Kraus)
TINHIFI T5 (Alberto Pittaluga)
TINHIFI Tin Buds 3 (Loomis Johnson)

Specifications TINHIFI C3


Drivers: 10 mm PU (polyurethane) + LCP (liquid crystal polymer) composite diaphragm
Impedance: 32 Ω ± 15%
Sensitivity: 106 dB/mW ± 3dB @ 1 kHz0.179 V
Frequency Range: 10-20,000 Hz
Cable/Connector: ???/2pin 0.78 mm
Tested at: $49
Product Page/Purchase Link: TINHIFI.com

Physical Things and Usability

The package contains the shells, a set of silicon eartips in 6 sizes, a gorgeous cable, and the paperwork. The shells deviate from TINHIFI’s silvery brushed metal, they are resin with one of these average shapes we have seen frequently before.

TINHIFI C3
In the box…
TINHIFI C3
Pliable cable and sturdy 3.5 mm plug.

The shells fit me well, they are rather comfortable, but they are nothing to write home about. They are a generic standard design.

Tonality and Technicalities

Equipment used: MacBook Air | Earstudio HUD 100 (low gain) | Sony NW-A55 dap
frequency response
Frequency response of the TINHIFI C3.
frequency response
Comparison of frequency responses of current TINHIFI models: spot the difference!

TINHIFI C3 is yet another safely tuned offering by TINHIFI, who obviously learnt their lesson from the sharp sounding T2 DLC. It is reminiscent of the Moondrop Crescent which also follows the Harman curve. The sound is “agreeable” with a bass boost and respectable technicalities.

The low end is the most prominent sonic feature of the C3. It has some emphasis somewhere between sub-bass and mid-bass reminiscent of the XBass in some ifi Audio amps. Bass is visceral, tactile, thumpy, and agile, but could be a bit more composed. It can be quite enjoyable but you sadly cannot switch it off when (not) in the mood. Let’s say the bass is tastefully overdone.

Despite its emphasis, sub-bass extension is actually just average. On the other hand, the punch is below the point that could annoy my eardrums.

Vocals are richer than, for example, in the TINHIFI C2, but they could be richer in absolute terms. Notes are well defined and a bit on the edgy side, they could be a bit more rounded. They are nevertheless never harsh but constitute a contrast to the bass. The advantage of this is a good note definition in the midrange. There is no shoutiness.

Treble is somewhat subdued with limited resolution. Lower treble can be a bit splashy. Rolloff starts quite early.

Stage is average width and depth, and of good height. The other technicalities such as separation and layering are class average, spatial cues quite decent. The TINHIFI is like a good 2nd league football club: no outstanding player but a good team. Timbre is good but with a hint of plastic.

In comparison, the T4 Plus sounds more cohesive, more mature, and rounder sounding. One step up, the $150 Sennheiser IE 200 achieves the timbre we are looking for. The C3 sounds less smooth in comparison.

To my confusion, the TINHIFI T2 TLC also costs $49 and, considering both share the frequency response graph, you tell me which one you prefer. Of the other Harman-tuned recent TINHIFI models, the T4 Plus sound more refined than the C3, and the C2 sounds a tad leaner. Of all these, the C3 may be the most comfortable, and probably the one with the strongest perceived bass perception.

Also check Durwood’s analysis of the C3.

Concluding Remarks

By and large, I find the TINHIFI C3 relatively enjoyable (inasmuch a $60 rem can be enjoyable). Its bass drive helps eliminating ambient noise, which makes the C3 a suited companion on the road, be is on the bus, train, or on foot.

Yes, it is not the last word in audiophile excellence, but after too much caviar, we also crave a tasty burger. And that’s what the C3 can be compared to. In everyday use, I prefer the C3 over the C2 and the T2 TLC, whereas the T4 Plus remains technically out of reach.

Until next time…keep on listening!

Jürgen Kraus signature


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Author

  • Jürgen Kraus

    Head-Fier since 2016. He has been known as “Otto Motor” to Head-Fiers, as “Dr. Schweinsgruber” to audiobudget.com users and Youtubers, and as “Brause” to Super Best Audio Friends and the Headphone Community. - For the purpose of confusion, he decided to pose under his real name Jürgen Kraus (“JK”) from now on. - This is a hobby. In “real” life, Jürgen is a professional geologist operating his own petroleum-exploration consulting company Franconia Geoscience Ltd. based in Calgary, Canada. He holds German and Canadian passports. Jürgen had a classical music education from childhood through high school in Germany and he has been following popular music developments since the late 1970s. His understanding of arts and crafts was influenced by Bauhaus pragmatism: “less is more” and “form follows function”.

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Jürgen Kraus (Calgary, Canada)

Head-Fier since 2016. He has been known as “Otto Motor” to Head-Fiers, as “Dr. Schweinsgruber” to audiobudget.com users and Youtubers, and as “Brause” to Super Best Audio Friends and the Headphone Community. - For the purpose of confusion, he decided to pose under his real name Jürgen Kraus (“JK”) from now on. - This is a hobby. In “real” life, Jürgen is a professional geologist operating his own petroleum-exploration consulting company Franconia Geoscience Ltd. based in Calgary, Canada. He holds German and Canadian passports. Jürgen had a classical music education from childhood through high school in Germany and he has been following popular music developments since the late 1970s. His understanding of arts and crafts was influenced by Bauhaus pragmatism: “less is more” and “form follows function”.

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