2EarphonesMid PriceReview

Simgot Supermix 4 IEM Review – Potlucks and Potpourri Using All the Ingredients

The $149.99 Simgot Supermix 4 delivers a throw everything at the wall and see what sticks approach to sound reproduction, and it is not half bad if you do not mind extra toppings book-ending the tonality.

INTRO

Simgot invited the whole family of drivers while creating the Supermix 4. My past experiences with Simgot generally rates overall positive with their mid-tier product range. The Supermix 4 joins those ranks as well at $149, they seem content courting those looking for something outside of the budget treadmill, but following the Harman 2019 tuning path.

Supermix 4 lives up to its name and is not just a super hybrid of balanced armature, dynamic, planar and piezo drivers, but also in physical appearance with a mix of plastic shell and decorative metal faceplate. Simgot pays attention to the fine details that provide consistency such as the pressure relief valves set in metal eyelets vs just drilling a hole in the plastic itself. 

Overall size of the Simgot Supermix 4 is on the plus size which helps anchor it in place, and the nozzle is at a pleasing angle for my ears. As a result of the shear size and tight fitment isolation is excellent. Simgots medium firmness eartips are the same as what is used on all the models I have tested. There is no forgetting you are wearing them however, so those that prefer smaller shells might find that uncomfortable for long periods. 

Upscale details set the Supermix 4 apart from run of the mill designs by using integrated sound tubes and resistive filtering in conjunction with electronic filtering components. All that connects to the twisted cable that resists tangling. Simgot is always thoughtful by including a unbranded elliptical carrying case.

SOUND

Tested with HIDIZS AP80 Pro-X, LG G8 Truthear Shio, SMSL DO400

The Simgot Supermix 4  aims to cover the full spectrum by using the strengths of certain drivers targeting specific bands. The taut basslines are complemented by a tastefully done sub-bass providing the gravy to make it luscious. As it flows into the lower midrange, some tracks sound a bit heavy on the bottom, but most of the time I find the balance is good. Given the impedance rise as frequency goes lower, drive power becomes apparent.

Vocals offer good clarity and precision for this price tier and sound natural, but missing is the magic that gives them definition space and depth, perhaps constrained. Spacing depth and height come alive with orchestral pieces, with string plucks not getting lost once things get grooving. 

Chimes and cymbals are lively and sparkling. There appears to be some smearing occurring during chimes and cymbals in Take 5, I wonder if the piezo driver is the source of that trouble area or just a handoff between the drivers. 

The Simgot Supermix 4 has competition in what I consider the reference standard Sennheiser IE200. The Sennheiser sounds more cohesive and immersive, while the Supermix feels like assembling a gaming winning roster that needs some polish to really pull a championship clench. It is hard to ignore the massive size difference as well. 

Sennheiser is bare bones in everything from driver count, shell design, cable quality and compact carrying case. I would argue the Sennheiser knows where to focus the energy while the Supermix 4 delivers on exciting technology and stylistic elements. The Simgot Supermix 4 also offers superior isolation due to the shear size in your ear taking up resonant spaces and creating a barrier to outside noises, while the Sennheiser is more discrete and tucked away. I find the Sennheiser cable frustrating with spinning MMCX connections and a tangle prone cable to boot.

WRAPPING UP

Simgot Supermix 4 is a good burger perhaps with maybe one un-needed ingredient mucking up the upper treble. I long for some more spacing in the vocals to make it sing, otherwise as a whole package I can say pretty good. I consider it a middle of the pack contender that needs minor polish to elevate to a top tier pick. On another note the ET142 from Simgot got me a bit more excited, review coming soon.

Disclaimer: Simgot sent them free and without gravitational influence. We thank Simgot for the generosity and trust to provide a candid review.

SIMGOT SUPERMIX 4 SPECIFICATIONS

Simgot Hompage (Currently no direct Product Page) : http://www.simgot.com/

Driver Configuration: 1 DD+1 BA+1 Planar +1 PZT
Impedance: 7.2Ω±15% (@1kHz)
Sensitivity: 120dB/Vrms (@1kHz)
Frequency Range: 8Hz-40kHz
Effective Frequency Response: 20Hz-20kHz
Connector: 0.78mm 2-pin
Shell Craftsmanship: High-Precision Resin 3D Printing
Cable Material: Litz Structure High-Purity Oxygen-Free Copper Silver-Plated Wire/ Plug: 3.5mm Unbalanced Plug
PRICE: $149.99 USD

Get it from any number of Distributors no limited to Linsoul, Hifigo, Aliexpress, Amazon, etc.

GRAPHS

  • Left vs Right
  • Impedance Plot

Simgot Supermix4 L-R
Simgot Supermix4 L-R
Simgot Supermix 4 Impedance
Simgot Supermix 4 Impedance

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Author

  • Durwood

    Head-Fier since 2007. From an early age Durwood liked to tear apart perfectly good working things to see what was inside, always an urge to understand what made it tick. His love of music started at the local roller rink and as a result grew up with pop, electronic music (think Freestyle, Trinere), and early hiphop from the 80’s. Hit the grunge era and Chicago house in his teens when B96 had their street mixes with Bad Boy Bill, Bobby D, Julian Jumpin Perez. Became a DJ at the local now defunct roller rink because why not? A sucker for catchy TV/movie themes (Thank you John Williams). Car audio was his first audio passion, but now with a family his audio time is spent listening to headphones. The nickname is not self-proclaimed, bestowed to him multiple times and fits his experiences in life. Collector of technology and music- a maximizer trying real hard to be a satisficer. Simplicity is the goal, but the maximizer fights every step of the way.

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Durwood (Chicago, USA)

Head-Fier since 2007. From an early age Durwood liked to tear apart perfectly good working things to see what was inside, always an urge to understand what made it tick. His love of music started at the local roller rink and as a result grew up with pop, electronic music (think Freestyle, Trinere), and early hiphop from the 80’s. Hit the grunge era and Chicago house in his teens when B96 had their street mixes with Bad Boy Bill, Bobby D, Julian Jumpin Perez. Became a DJ at the local now defunct roller rink because why not? A sucker for catchy TV/movie themes (Thank you John Williams). Car audio was his first audio passion, but now with a family his audio time is spent listening to headphones. The nickname is not self-proclaimed, bestowed to him multiple times and fits his experiences in life. Collector of technology and music- a maximizer trying real hard to be a satisficer. Simplicity is the goal, but the maximizer fights every step of the way.

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