BudgetEarphonesReview

Geek Wold GK10 Review (2) – Another Opinion

Like hydroxychloroquine, the $50 GK10 was very briefly anointed as the savoir of humanity before rational voices weighed in.  Not being a teenage girl, I find the heart-shaped shells embarrassing to wear, although comfort and fit are fine. Isolation, however, is only fair and the wide seams between the cheap-feeling plastic casings and the faux-wood faceplate attract a lot of gunk.

The 2DD/BA/piezo GK10 is a warm (cf dark-sounding) V-shaped piece with emphasis on the voluminous but somewhat sluggish midbass, recessed mids and a grainy but  reasonably detailed treble. There’s adequate separation between instruments, but imaging is confusing—the performers seem to be randomly placed in a scrum towards the middle of the stage.

Drums lack some snap and the highest frequencies seem to be veiled by the big low end. For all that, the GK10 is a pleasant enough listen—there’s no harsh edges or sharp peaks, and tonality is fairly analogue-sounding.  However, it’s difficult to hear just what all those drivers are doing—these lack the quick transients and high-end transparency of  other budget piezos like the NX-7 or BQEYZ Spring. Okay overall, but the more revealing KBEAR KB04 or a TRN STM are much better for much less. 

Specifications

  • 1 balanced armature for high frequency
  • 2 piezoelectric ceramic for ultra-high frequency
  • 7mm graphene diaphragm dynamic for middle frequency
  • 8mm dome titanium diaphragm dynamic for bass
  • Panel: stable wood
  • Shell material: ABS+PC
  • Impedance: 8Ω
  • Sensitivity: 106dB
  • Frequency response range: 20-30kHz
  • Cable material: 8-strand silver-plated
  • Connector: 2pin 0.78mm
  • Cable length: 1.2m

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DISCLAIMER

Hifigo kindly provided this set to Durwood for no charge, for everyone else they can be found on Amazon on Hifigo’s store page.

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Author

  • Loomis

    Head-Fier since 2014. Based in Chicago, Loomis T. Johnson is a practicing attorney, failed musician, and lifelong music fanatic and record collector. He has frequently contributed to such review sites as Headfi, Sound Advocate, and Asian Provocative Ear (as well as many other far less interesting non-musical periodicals). A former two-channel and vintage gear obsessive, he has sheepishly succumbed to current trends in home theater and portable audio. He’s a firm believer that the equipment should serve the music and that good sound is attainable at any budget level.

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Loomis T. Johnson (Chicago, USA)

Head-Fier since 2014. Based in Chicago, Loomis T. Johnson is a practicing attorney, failed musician, and lifelong music fanatic and record collector. He has frequently contributed to such review sites as Headfi, Sound Advocate, and Asian Provocative Ear (as well as many other far less interesting non-musical periodicals). A former two-channel and vintage gear obsessive, he has sheepishly succumbed to current trends in home theater and portable audio. He’s a firm believer that the equipment should serve the music and that good sound is attainable at any budget level.

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