BudgetMid PriceReview

KBEAR Aurora Review (3) – More Comments From The Peanut Gallery

Much like its predecessor, the $160 KBEAR Believe (as well as the cheaper KBEAR Diamond and KBEAR KB04), the mid-focused, $170 KBEAR Aurora scores high on the technicalities—low end is well-sculpted and meaty, coherence between  frequencies is seamless and layering and imaging are impressive, even if the soundstage is fairly narrow.

However like its brethren the KBEAR Aurora’s tonality is just a little bit off—for lack of a better description, everything sounds “recorded” and slightly unnatural. Acoustic guitars, in particular, lack shimmer and crispness and sound more like electric, while drums show something of a cardboard box effect and miss some snap, depth and resonance.

KBEAR Aurora

High end is smooth and tasteful but, as others have opined, rolls off too early and misses some of the high-level microdetail you’d expect at this price point. By no means a bad IEM—these would have considerable appeal to fans of vocal-oriented material or to the treble averse—but I prefer KBEAR’s cheaper offerings.

KBEAR Aurora Specifications

  • Driver configuration: 10mm Nano Titanium Plated Diaphragm
  • Frequency response: 20 Hz – 20kHz
  • Impedance: 18 Ω
  • Sensitivity: 105 dB/mW
  • Cable: 2 Pin (0.78mm), OFC Silver plated cable
  • Tested at $169 USD

Disclaimer

Borrowed from Durwood. These were sent to him gratis via Keephifi.

Get the KBEAR Aurora from Keephifi.

Our generic standard disclaimer.

Also read Baskingshark’s review of the KBEAR Aurora.
Als check out Durwood’s review of the KBEAR Aurora.

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Author

  • Loomis

    Head-Fier since 2014. Based in Chicago, Loomis T. Johnson is a practicing attorney, failed musician, and lifelong music fanatic and record collector. He has frequently contributed to such review sites as Headfi, Sound Advocate, and Asian Provocative Ear (as well as many other far less interesting non-musical periodicals). A former two-channel and vintage gear obsessive, he has sheepishly succumbed to current trends in home theater and portable audio. He’s a firm believer that the equipment should serve the music and that good sound is attainable at any budget level.

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Loomis T. Johnson (Chicago, USA)

Head-Fier since 2014. Based in Chicago, Loomis T. Johnson is a practicing attorney, failed musician, and lifelong music fanatic and record collector. He has frequently contributed to such review sites as Headfi, Sound Advocate, and Asian Provocative Ear (as well as many other far less interesting non-musical periodicals). A former two-channel and vintage gear obsessive, he has sheepishly succumbed to current trends in home theater and portable audio. He’s a firm believer that the equipment should serve the music and that good sound is attainable at any budget level.

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