1BudgetEarphonesReview

Tinhifi Dudu IEM Review (2nd Opinion) – IF I Only Had A Heart

I’ve been lukewarm on Tin’s prior releases (T2, T4 etc.), which sounded sculpted and revealing, but a bit lean and not quite natural. The oddly-named Dudu is quite a departure from the past—it has a rich, full-bodied tonality and a fat, billowy low end which lacks speed but adds some throb and energy to the proceedings. As Durwood (review here) remarks, the upper mids are a bit overdone and sound artificially boosted—your ears tend to over-focus on the vocalists, which makes these a bit incoherent and exhausting, if initially engaging.

Packaging and build are estimable—these look and feel like they could be two hundo, but the included cable might be the most microphonic I’ve encountered. Also comfortable and easy to drive. Sonically, though, I’m left with the sense of quality parts that don’t quite mesh together; I’d pass on these but look forward to future iterations.

Disclaimer: I thank Shenzhenaudio for sending these free for review to Durwood.

SPECIFICATIONS

  • Driver: 13mm Planar
  • Sensitivty: 103+/-3db @1kz 0.179V
  • Frequency Response: 10-20Khz
  • Impedance: 32 ohms +/-15%
  • Rated Power: 5mW
  • Max Power: 10mW
  • Max distortion: 1% @ 1khz 0.179V
  • Interface: 0.78 2 Pin
  • Plug: 3.5mm or USB-C (optional)
Check Durwood’s more extensive review of the Tinhifi Dudu.

Durwood’s GRAPHS

  • Left vs Right
  • 3.5mm vs USB-C
  • Tinhifi Dudu vs Kefine Delci vs Sennheiser IE200
TinHifi Dudu Left vs Right
Dudu 3.5 vs USB
Dudu vs Delci vs IE200

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DISCLAIMER

Get it from Shenzhen Audio Store

Our generic standard disclaimer.

About my measurements.

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Author

  • Loomis

    Head-Fier since 2014. Based in Chicago, Loomis T. Johnson is a practicing attorney, failed musician, and lifelong music fanatic and record collector. He has frequently contributed to such review sites as Headfi, Sound Advocate, and Asian Provocative Ear (as well as many other far less interesting non-musical periodicals). A former two-channel and vintage gear obsessive, he has sheepishly succumbed to current trends in home theater and portable audio. He’s a firm believer that the equipment should serve the music and that good sound is attainable at any budget level.

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Loomis T. Johnson (Chicago, USA)

Head-Fier since 2014. Based in Chicago, Loomis T. Johnson is a practicing attorney, failed musician, and lifelong music fanatic and record collector. He has frequently contributed to such review sites as Headfi, Sound Advocate, and Asian Provocative Ear (as well as many other far less interesting non-musical periodicals). A former two-channel and vintage gear obsessive, he has sheepishly succumbed to current trends in home theater and portable audio. He’s a firm believer that the equipment should serve the music and that good sound is attainable at any budget level.

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